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A knowledge of rock and metal would be a bonus.
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Successful and growing independent rock label seek Press Officer and media all rounder to deal with established acts and growing newcomers plus events the label is involved with. But one thing is certain - there's plenty of interesting developments still to come in the wacky world of digital music. There's no conclusion to this Top Bit I'm afraid - I've no idea which of these announcements, promotions and ideas are going to take off, and which will fail.
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Napster reckon that people are increasingly buying cheaper flash based players anyway, and are starting to treat their MP3 players like they treat mobile phones (ie buying with the intent of only using a player for a year or so), and therefore the free players they are offering will be very attractive to young music fans, while shifting the consumer's focus onto the service and content offered by digital music platforms, rather that which players there are compatible with.
This is an idea that has been floating around the music industry for a while, based on the logic that technology people are underpricing music in order to sell their technology, so why don't music companies underprice the technology in order to sell their music. They are going to start offering subscribers to Napster To Go free MP3 players on which to enjoy the service. Meantime, another interesting new development in this whole space was announced yesterday by the UK bit of Napster.
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Others say that Apple have been too slow in developing the next big thing in the digital media space, to maintain their market leader position, though others point out the computer firm are staging one of their glitzy press launches later today and suggest that that's where the next big thing will be unleashed (though the consensus is the next big thing will be movie based).
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It's been interesting watching the other media coverage of the increasingly populated download space in the last week or so, with some taking the line that Apple's days of dominance in digital music are actually numbered - mainly because the iPod has become too ubiquitous to be cool, but is still too expensive to be truly mainstream (especially as music players are bundled in free when consumers next upgrade their mobiles). As I said in that ramble last week - if such independent platforms can find a commercially viable way of operating then I suspect they will survive in the fight against Apple where others will no doubt fail. But eMusic's ability to sell iPod friendly music is because they have a model that seemingly works while just selling music from indie labels - the majors not allowing their music to be sold without DRM in that way. Of course, as several of our readers pointed out, that isn't the case because eMusic, which launches in the UK today, by the way, only sells MP3s which, of course, play perfectly legitimately on Apple's music players.
Last week when I was rambling on about which download platforms could genuinely take on iTunes in the iPod dominated digital music market place (iTunes being the only platform that sells iPod compatible DRM-ed music) I kind of inadvertently suggested that the iPod compatibility problem was something that independent download platform eMusic also faced. All Saints move location over seating arrangements Album Review: Mansun - Legacy: The Best Of Mansun Conductor speaks out about hand luggage problem EMI and T-Mobile announce ad funded mobile video pilot National Music Week schools chart tracks announced Diddy drops name in UK to halt litigation
CMU Daily - on the inside Tuesday 12th September
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